I played 100 shows last year, and I’m on track to play at least that many again this year. These aren’t back-to-back touring shows with the same band every night. There is no tour manager, itinerary, or even a single set list to memorize. This is by far the busiest I have ever been, and it’s really quite challenging to manage a schedule like this. I get asked quite frequently how I do it. This is the answer.
Bell Witch has been one of my favorite bands since I discovered them some six years ago. Seeing them live has been a huge priority for me. They came through my area a few times prior to the pandemic, but each time, I was booked myself. And then there was the pandemic, of course.
A number of Tuesdays have passed since Julianna Riolino’s incredible first full-length solo record, All Blue dropped (and 188 Tuesdays have passed since I last shared new music with you!), but this record is just so good that I had to break the silence.
I don’t really get asked this too often, likely because the genres of music I specialize in aren’t necessarily known for great bass players—in the sense of flashy playing. On the contrary, flashy playing is what usually makes a poor bass player. Here are players that inspire me.
When we last left our hero, we had a broken neck joint and a splintered heel cap. I’m happy to report the surgery was successful and the patient has fully recovered. Ah, but friends, there is even more to this adventure.
I lost and old friend this week. We hadn’t been very close for quite a while—the last time I even spoke to him was a few years ago now. He was a pretty important person in my life for a good decade or so, though. Since funerals and celebrations of life aren’t really an option during a pandemic, I sort of feel the need to say a few nice things about a guy who frustrated, hurt, and offended, but also loved a lot of people. And a lot of people loved him back. To me, he was a compassionate and genuine friend.
I’ve been watching (and tipping!) a bunch of my favorite artists live stream on Instagram over the past few weeks. Some are better at it than others. Here are some tips to make the experience more pleasant for your viewers, and make it easier for them to tip you.
Alright, now that the Grammy Awards have all been passed out, let’s have a little reprieve, shall we? Each of the 15 albums in this list made a deep impression on me this year. Why 15? Because there were 15 of them. Here they are in alphabetical order.
There is a small chain of music venues in Sacramento I frequent that has implemented ID scanning kiosks at their front doors. At first, I was a bit put off by this, but after doing a bit of research into the platform, I think I might be okay with it. You might not be, though. Here is what you should know.
I’ve seen a lot of live music this year, and I have had the chance to check out a lot of different venues in a lot of different towns. Some do it quite a bit better than others. Here are some easy ways music promoters can provide a much better experience for their patrons.
The Sacramento Valley is going through a bit of a live music boom as of late. This is a good thing. A healthy music scene has a lot of diversity and a lot of live music to choose from. The downside is that many venues are booked through the end of the year, and many of the gigs that do come up don’t pay very well. What is a fair price to pay for live music, anyway? Allow me to offer a musician’s perspective.
Well, I recently got myself joined up with another bluegrass band. I’m not really one to go joining bands all willy nilly. I have a good track record of sticking around in bands for a long time, so it’s important to me that everyone is easy-going, but takes professionalism as seriously as I do. And of course they need to be, you know, good. The folks in Red Dog Ash check those boxes for me.
I just received an email from Record Bird, a new release tracking app, announcing that they are shutting down due to financial difficulties.
Over time, we witnessed that it became more and more expensive for us, but also for artists to get fans to download an app. Yet scale was the only way to create a sustainable and economically profitable model.
Source: email newsletter from Record Bird not published online
The Upright Bass Players Union is one of the few reasons I keep a Facebook account. It’s an awesome group of working class rockabilly and honky tonk players who share tips and talk a lot of shit. Amplifying the double bass isn’t easy, so it is incredibly helpful to see such a diverse range of rigs and setups. I think I have some pretty unique things going on in my rig, so I thought I should share it with the group. I like to own my mojo, though, so I’m posting it here as well.
A few weeks ago, I got an alert from my Bands in Town account that Daniel Romano would finally be in Northern California. Kristyn and I have been waiting for him to come around for years, so we immediately jumped on the opportunity before it sold out.