I’ve seen a lot of live music this year, and I have had the chance to check out a lot of different venues in a lot of different towns. Some do it quite a bit better than others. Here are some easy ways music promoters can provide a much better experience for their patrons.
I play double bass for the Bottom Dwellers, Matt & George and their Pleasant Valley Boys, Red Dog Ash, and a few other acts in the area. Need bass? Email me. Pay me.
The illusive phantom crackle that plagued this early 60s Fender Bandmaster for years has finally been purged.
The Sacramento Valley is going through a bit of a live music boom as of late. This is a good thing. A healthy music scene has a lot of diversity and a lot of live music to choose from. The downside is that many venues are booked through the end of the year, and many of the gigs that do come up don’t pay very well. What is a fair price to pay for live music, anyway? Allow me to offer a musician’s perspective.
Well, I recently got myself joined up with another bluegrass band. I’m not really one to go joining bands all willy nilly. I have a good track record of sticking around in bands for a long time, so it’s important to me that everyone is easy-going, but takes professionalism as seriously as I do. And of course they need to be, you know, good. The folks in Red Dog Ash check those boxes for me.
Tomorrow night, my wife and I are going to our first show at the HopMonk Tavern in Novato. The day before the show we received the following email from the talent buyer:
A forthcoming feature will allow Spotify users to block certain artists from playing in their libraries. This is a great solution for empowering subscribers to limit who monitizes from the music they stream, but what are the broader implications to others who benifit from the royalties of abusive artists?
I received this email at work via our company contact form. It made it through the Google ReCaptcha. It reads sort of like an SCP, and I found it pretty entertaining, so I thought I would post it here.
I know I’m a little late to the game with my album picks this year, but 2018 was just so rich with amazing new music that I couldn’t just poop this out all willy nilly. Unlike other folks with their best album lists, I believe in waiting a few weeks after the new year to let all the late releases settle in with me. And it’s a good thing I did, as a few late December releases made my list!
As with last year, this largely reflects my music listening at work. These lists tend to be more metal-heavy as this is where I do most of my headphone listening.
I’m a segmented sleeper, and am usually up between 2 and 5 a.m. on any given morning. I sometimes pass the time by giving sympathy and advice to sufferers on the /r/misophonia subreddit. Recently, I’ve noticed a trend of teenagers complaining about their parents hassling them about wearing headphones at the dinner table. As a father of teenagers, a headphone enthusiast, a music lover, and a Misophonia sufferer, I feel I am uniquely qualified to advise in these situations when asked.