I just received an email from Record Bird, a new release tracking app, announcing that they are shutting down due to financial difficulties.
Over time, we witnessed that it became more and more expensive for us, but also for artists to get fans to download an app. Yet scale was the only way to create a sustainable and economically profitable model.
Source: email newsletter from Record Bird not published online
I joined Facebook back in 2006 when it first opened to the general public. I did this mostly because I was involved in building a social network platform to help artists, record labels, and management companies take their web presence back from MySpace. Fast-forward 11 years: I’m focusing more on my own music, Facebook is the new MySpace, and here I am trying to take back ownership of my web presence from them.
Net neutrality is good. It means all websites on the internet get the same bandwidth. Netflix.com loads as fast as thebigreason.com. The new FCC Chairman plans to overturn regulations that keep the internet neutral and allow internet providers (telecoms ie. Comcast, Charter, AT&T, Verizon, etc.) to charge more money for increased bandwidth. It also has some very ominous implications for free speech.
I have been on a quest for the perfect double bass preamp for years. There are a lot of options, but almost nothing properly suited for a slap player who wants a clicky but doesn’t want to strap a giant metal box to their tailpiece or their waist.
The Upright Bass Players Union is one of the few reasons I keep a Facebook account. It’s an awesome group of working class rockabilly and honky tonk players who share tips and talk a lot of shit. Amplifying the double bass isn’t easy, so it is incredibly helpful to see such a diverse range of rigs and setups. I think I have some pretty unique things going on in my rig, so I thought I should share it with the group. I like to own my mojo, though, so I’m posting it here as well.